翻訳と辞書
Words near each other
・ Clive Grunshaw
・ Clive Gwinner
・ Clive Hachilensa
・ Clive Hale
・ Clive Halse
・ Clive Hamilton
・ Clive Handford
・ Clive Hannaford
・ Clive Haywood
・ Clive Head
・ Clive Healey
・ Clive Henry
・ Clive Hicks-Jenkins
・ Clive Hill
・ Clive Hirschhorn
Clive Holden
・ Clive Holland
・ Clive Hollick, Baron Hollick
・ Clive Holmes
・ Clive Hopewell
・ Clive Hornby
・ Clive Hulme
・ Clive Hunt
・ Clive Inman
・ Clive Isenberg
・ Clive Jacobs
・ Clive James
・ Clive Jenkins
・ Clive Johnstone
・ Clive Jones


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Clive Holden : ウィキペディア英語版
Clive Holden

Clive Holden is a Canadian new media〔(Afterimage Vol. 40, No. 6 )〕 artist, filmmaker〔(Adventures of Perception, by Scott MacDonald (August, 2009) )〕 and poet〔(Poetics today )〕 from Victoria, British Columbia, he is currently living in Toronto with his wife, writer Alissa York.
Holden’s art focuses on the usage of many kinds of visual art media, and on seeing how they relate to each other with a special interest in the charged spaces between artistic media, genres, and subcultures.
==New Media==
In the inaugural exhibition in 2013 of UNAMERICAN UNFAMOUS〔(UNAMERICAN UNFAMOUS at Ryerson University Image Centre )〕 at the Ryerson Image Centre, Holden worked with archive photographs and snap shots submitted by the general public via social media, along with pulsating film leader loops, in a large scale media wall composition. The public was asked to nominate their “favourite unfamous unAmericans” for inclusion in the work. The various media were composed using a musical analogy for over-all structure, where the visuals were intended to be “listened to” rather than viewed in the normal sense. Hundreds of randomization algorithms were also included in the work’s code, so that the work’s creation wasn’t 100% completed until the moment it was viewed, and it could never be viewed the same way twice.
Media Mediated〔(Mediated Algorithms by Matthew Ryan Smith in Afterimage, the journal of media arts and cultural criticism, pages 20-21 )〕 (2013) is an on-going series of new media works, net art works, and chromogenic prints. They interrelate in spite of their disparate natures as either ephemeral time-based net art works and installations, or more traditional art objects. Their juxtapositions highlight what they have in common as well as their differences.

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